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TO
SEE THE DETAIL IN THE WORLD IS NOT TO HAVE THE DETAIL IN THE HEAD.
Seeing is an activity of the whole animal
in an act of spontaneous editing whilst forgetting the name of the thing
one sees, not the construction of a world-model in the brain, but love
coming in through the eye being a machine for the little creature that
sits behind in the brain to look through while the brain actively fills
in the missing information believing something to make up for an absence.
WHO ARE YOU GOING TO BELIEVE, ME OR YOUR
EYES?
Behindtheeyeliesbone
is a dance about love layering life, about the long physical lurch toward
the metaphysical, a dance in the spaces between. Starting with the end
and wondering how we got here...there. |
The
IRISH TIMES
- REVIEW
Michael Seaver, dance reviewer for the Irish Times said of the work,
“By counterpointing text and movement, choreographer Ella
Clarke
creates a rich dialogue between the visual and aural senses. Alternating
direct addresses to the audience with self absorbed weaving group
sequences, the performers maintain a gentle performance energy that
perfectly matches the choreography.”
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Premiered June 17th 2006 at the annual DanCelebration festival in Flagstaff,Arizona.
Photographs (5) © Pádraig Grant |
Wexford
Echo newspaper
Thurs, Oct 19 2006
"Behind The Eye Lies Bone" By David Looby
Behind The Eye Lies Bone, produced by Myriad Dance, performed to crowded
audiences at the Project Arts Centre as part of the inaugural Magnet
Entertainment Dublin Fringe Festival 2006 on September 18, 19 and 20.This
magnificent trio e x p e r i m e n t a l contemporary dance piece was
choreographed by Ella Clarke and performed by Aine Stapleton, Shelly
Hering and Jessica Kennedy, who won the Fringe award for Best Female
Performer 2006. Production credits included lighting design by renowned
Irish designer, Paul Keogan and sound composition by European Short
Film award winner 2005 for best soundtrack, Denis Clohessy.This is Ella’s
second piece with the company as guest choreographer, her first work
being the very successful Adaptation of a Meeting in 2005. The work
draws from the inspiration of an email received by the choreographer
from a colleague in Helsinki about the pituitary gland titled ‘Behind
the eye lies a bone’.
Interlaced throughout
the piece is the notion of playing with the greatest female role model,
the Virgin Mary, an impossible act to follow. The work has strong references
to Michelangelo’s the Pieta and to articles from ‘The Art
of Walking Sideways’ by Alan Fletcher combined with a powerful
sense of shared
discovery.According to the choreographer Ella Clarke, “Behind
the eye lies bone is a dance about love layering life, about the long
physical lurch toward the metaphysical, a dance in the spaces between,
starting with the end and wondering how we got here…there.”Behind
the eye lies bone premiered at the annual DanCelebration Festival in
Flagstaff, Arizona, USA on the 17th June 2006, as part of a special
Gala event and recently completed a very successful 8-day national tour
including its Dublin premiere at the Magnet Entertainment Dublin Fringe
Festival 2006.
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